The push-down stash

Like most fabriholics, I have a stash. A fabric stash that, despite my best intentions, keeps on growing.

Every single yardage in my stash was acquired with the intention of making something specific – and most of the somethings never got made. And, with every addition, the likelihood of previous intended projects actually getting made recedes.

Some things didn’t get made for financial reasons

Sample panels of Turkish-style ikatLike the long vest I wanted to make with the set of gorgeous silk & cotton sample panels that I got at the Textile Museum’s legendary Yardage Sale. There was plenty of fabric to make the vest parti-coloured, which was what I originally intended. But I really loved the deep rose & black colourway and discovered that, though the design had been discontinued, the deep rose & black was still available. From France. At $600 US/meter. Plus shipping.

Nope.

That took the shine off the project, though it’s still on the intentions list. That was three or four years ago, and the disappointment has mostly worn off; I’ll probably make the vest eventually – parti-coloured instead of all deep rose & black.

Some things haven’t been made for technical reasons

black mink coat

The black mink coat

Like turning the black mink coat that I got in the years people were donating furs to Goodwill into a lining for a tweed coat.

Fox fur zibellingo with gilded head

The zibellino

I’ve got the tweed. I’ve got the fabric for the interlining. I’ve researched on how fur is handled. I’ve made small fur items, including a zibellino.

But I’ve been seriously nervous about cutting into a fully functional mink coat.

Blue Viking coat with green borders

The Viking caftan

This has gone on for ten years, which is ridiculous. So I finally took a sideways step and made a fur-lined Viking kaftan, using a fur seal coat from a local second-hand store for the lining.

With one thing and another, it took me most of the winter to work through the learning process, but now I have a wearable, albeit heavy, fur-lined coat.

So, the mink-lined tweed coat is back at the top of the stack now. With luck, I’ll get it finished before the vintage raccoon coat I wear when it gets brutally cold falls apart (which it’s threatening to do)…

Some things haven’t been made because I have no real use for them

Detail of the silver/coper/bronze sequinned fabric

Glitter!

Like the overtunic I want to make from the gorgeous sequined fabric I bought on impulse five or six years ago.

I know what I want to make from it: a twenties-style evening gown with a glittering overtunic. I have the glitter; I have the black silk to make the underdress.

But the last time I wore an evening gown – a Balmain model with a skirt of layers of flowing grey & white chiffons and silk ribbons that I made from a Vogue Paris Designer pattern – was the McGill graduation ball in 1965!

Some things haven’t been made for practical reasons

I love tweed. I have a lot of lengths of tweed. Tweed is a cold-weather fabric. I live in a centrally-heated universe – and global warming is making tweed season shorter and shorter.

Five tweeds, mostly greys

A sampling of my tweed collection

The tweed for the mink-lined coat - grey herringbone with black, white & taupe flecks

…for the coat

Outer garments like my mink-lined tweed winter coat project work, but I’ve already got more coats for moderately cold weather than I actually need.

Tweed pants are too hot, ever. And sometimes scratchy.

Tweed skirts are good for winter, but wearing panty hose or tights doesn’t do it for me – and knee-highs or socks feel odd under skirts. This winter I’m going to try wearing colourful long knee socks with decorative garters in the medieval/renaissance mode & see how I feel about it. If it works, maybe more tweed skirts.

Then there are vests and jackets but…

Many things haven’t been made because of time

… I don’t think I have to say more about this one…